![]() First published in 2005 and written by Anthony Codrington aka Top Cat, the 5 time MC of the Year from the British Reggae Awards, Black Music Awards, and BBC Three Counties Awards and three times Record of the Year Award winner, as well as recently in 2022 picking up the DJ Magazine Award for being a Game Changer in the Music Industry for the vocals on the classic track RIP Groove, and boasts well over a dozen chart topping number one singles to his name, there aren't many out there who have more experience and success with that experience. This is the original paperback edition of the groundbreaking first book to explain the skills of the elite emcees of Dancehall, Jungle, Garage, Grime, and Hip Hop. If you have said yes to all of the questions above then you need this book in your reference library. With hits like Over U Body, Smoke The Sensi, Wine Up U Body, Sweetest Thing, as well as more recent hits with Shy FX Every Day, Chase & Status Just Come Back, Roughest Gunark remix, as well as his hits with Congo Natty like Champion DJ, Badder Than Them aka Imperial Majesty, and classics like Push Up U Lighter, as well as the UK Garage remix of Request The Style aka RIP Groove, Top Cat is a Living Legend of the UK urban music scene.ĭo you want to learn to MC like your favorite dancehall deejays or hip hop rappers?ĭo you want to be able to do the fundamental skills so well that can put you on a par with the emcees you look up to?ĭo you have more half a loaf for a brain? Top Cat scored hits for Fashion Records with Gallist/Sess Weh U Want, Request The Style, Bunn The Sensi, as top 5 singles in the Reggae Charts. In 1992 both Top Cat and Tenor Fly joined Fashion Records to record projects for release, working with Chris Lane and Gussie P at A Class Studio. Recording his first album Sensimilla Man for another Legendary producer and member of Sir Coxsone sound Blacker Dread, Top Cat then joined Sir Coxsone sound and was part of the MC team of Daddy Freddy, Tenor Fly, Ricky Tuffy and Jah Prento that toured the UK, Europe and the US during that time. His first his Love Mi Sess (produced by the Legendary Reggae producer Joe G RIP) topped the Reggae charts in February and March 1989 as was awarded Record of the Year and the Entertainment Enterprise Awards that year. p. 117.Top Cat has been making hit songs for over three decades. "Meet the studios keeping dubplate culture alive". "Nuff Wheel Ups: Exploring Dubplate Culture". Archived from the original on 16 July 2015. "Dreams rendered in metal: A look into dubplate culture". Archived from the original on 4 April 2019. "Dubplate Culture: Analogue Islands in the Digital Stream". ^ "Music House Studio Inside one of London's legendary dubplate studios".^ "The strange origin of the UK Reggae big bass sound: John Hassell Recordings, Barnes"."How Jamaican soundsystem culture conquered music". Etymology Īccording to David Toop, the " dub" in dubplate is an allusion to the dubplate's use in "dubbing" or "doubling" the original version of a track. New music would regularly be composed and recorded onto DAT tape in order for it to be cut onto dubplate, often so that it could be played that weekend (or even that night).ĭespite the shift to DJing on digital mediums such as CDJs and DJ controllers, dubplates continue to be used for playing exclusive music and have also gained a specialist market in recent years. This would be followed through its descendants UK garage, grime and dubstep, and cutting houses such as Transition. Whilst acetates have been used in the music industry for many years, especially in dance music, dubplates would become a particularly important part of the jungle/ drum and bass scene throughout the 1990s. Throughout the 1980s and 1990s, Music House in North London and JTS Studio in East London would become the two most prominent "cutting houses". John Hassell and his wife ran a recording studio from their suburban house in Barnes, South West London, but would become key to British sound systems and artists such as Dennis Bovell. In the UK, the earliest place to cut reggae dubplates would also be one of the most unlikely. As such, these would become known as "dubplate specials" often remarking on the prowess of the sound system playing it, in a bid to win the clash. Special and one-off versions would be cut to acetate for competing in a sound clash, utilising vocals specially recorded to namecheck the sound system. ![]() ![]() The first use of dubplates is commonly attributed to sound engineer King Tubby and reggae sound systems such as Lloyd Coxsone and Killamanjaro.
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